December 18, 2013

Christmas with Charlie

by Jennifer Bottomly-O'Looney, Senior Curator, Montana's Museum

Charles M. Russell (1864-1926), Montana’s famed Cowboy Artist, loved Christmas with a childlike abandon. Every year he transformed his studio into a Santa’s workshop, where he worked feverishly to fashion models out of wax, clay, and plaster as Christmas gifts for friends and loved-ones, and as fanciful table settings.

Caravan Man, Wax, modeled before 1900, 4¼” H x 5½” W x 2” D, Gift of Spencer R.
McCulloch, X1954.04.02
Montana Historical Society curator emeritus, Robert F. Morgan, noted that “Russell delighted his table guests with personal place settings around the table—with his favorite Holidays being Christmas and Thanksgiving. [With] his creative mind and nimble fingers, wondrous small models decorated each place setting.”

Best Wishes for Your Christmas, Watercolor, gouache
and ink, 1914, 12½” H x 9” W, Mackay Collection,

In addition to these small treasures he also created delightful Christmas cards. He loved to portray magical encounters between astonished cowboys and Santa Claus on the wintry Montana plains. He also painted a number of humorous and nostalgic cowboy-themed cards such as the one shown at right.

In 1914, Russell sent this original, hand-painted greeting to kindred spirit Malcolm Mackay and his family. While the verse is the artist’s own, the calligraphy is not. Knowing that his own penmanship was somewhat lacking, Charlie relied on close friend and neighbor Josephine Trigg to do the calligraphy.

Nancy summed up her husband’s love for the Holiday when she recalled their first Christmas together in Cascade as a married couple “trotting in a double harness” when they had nothing. Nancy wrote, “We were happy over that Christmas…because the happiness came from within. Charlie was as pleased as if he had received a million dollar gift. The simple things in life always did thrill him; no one could live near him without taking on some of the child-like joy from the little things.”

It’s No Lady’s Job, Plaster, 1926, 9” H x 9” W x 29” D, Gift of Charles S. Jones, X1954.07.01
Charlie’s love for Christmas continued throughout his lifetime. In fact, he was working on the plaster model of It’s No Lady’s Job, above, in his Great Falls studio as a Christmas present for Nancy, the day before he died. It is crafted in plaster, wax, cloth, leather, string, and metal, and is painted. The model was never completed.

Russell’s images of Christmas continue to delight viewers to this day. His Christmas greetings are enjoyed by many and remain a popular commodity in our Museum Store. We at the Society join with Charlie Russell in saying to you and yours “Best Wishes for Your Christmas!"

The Mackay Gallery of Russell Art is a 2,000 square foot exhibit featuring approximately 80 art pieces, including major oils, watercolors, pen and inks, pencil sketches, bronzes, sculptures, and illustrated letters. To learn more, download the Family Guide to the Mackay Gallery (PDF). Join us on March 19, 2014 for a celebration of Charlie Russell’s 150th Birthday. And watch for our full-color catalog, Montana's Charlie Russell: Art in the Collection of the Montana Historical Society, to be published in Fall 2014.

December 11, 2013

The Real Thing

by Vic Reiman, Museum Technician, Montana’s Museum

Teddy Blue Abbott at 18. "I had a new white Stetson hat that I paid
ten dollars for and new pants that cost twelve dollars, and a good shirt
and fancy boots. They had colored tops, red and blue, with a half-moon
and star on them. Lord, I was proud of these clothes! They were the
kind of clothes top hands wore, and I thought I was dressed right
for the first time in my life." [We Pointed Them North]
A small, black comb. A clothes brush. A shaving cup. These mundane objects were recently cataloged in Montana's Museum, but they do little to reflect the rollicking life of their owner, E. C. Abbott. In 1883, “Teddy Blue,” as he was known, rode into Montana as a 22-year-old, driving cattle from Texas. Fifty years later, he authored a memoir, We Pointed Them North—the only book-length remembrance by an eye witness to Montana’s open-range period. In the book, Abbott describes the art of herding cattle. But he goes on to reveal what went on in the “parlor houses” of Miles City, detailing the cowboys’ longing for women and love of liquor.

We Pointed Them North significantly informs today’s understanding of 19th-century Western life. Author Larry McMurtry studied it as background for Lonesome Dove, his 1985 Pulitzer Prize-winning novel. The scene of naked cowboys swimming their horses across a river is taken directly from the memoir. Abbott is also quoted extensively in the PBS series, “The West.”

To grasp the book's singular impact on our culture, one has only to compare the sanitized Westerns of the 1940s, 50s, and 60s (for example, “Bonanza”) with a more recent portrayal, like “Lonesome Dove” or “Deadwood.” The profanity and sex in the latter works clearly show the influence of authentic cowpuncher “Teddy Blue.” Abbott was born in England 153 years ago next week. He died in Gilt Edge, Montana, in 1939.

The Research Center owns a first edition of We Pointed Them North: Recollections of a Cowpuncher, by E. C. Abbott and Helena Huntington Smith (New York, Toronto: Farrar, Rinehart, Inc.) 1939, as well as the paperback editions published by the University of Oklahoma Press (1976, 1982).